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Daniel Decatur Emmett : ウィキペディア英語版
Dan Emmett

Daniel Decatur "Dan" Emmett (October 29, 1815 – June 28, 1904)〔(Findagrave: Dan Emmett )〕 was an American songwriter, entertainer, and founder of the first troupe of the blackface minstrel tradition.〔''The Oxford Companion to Music'', Oxford University Press 1955 (Percy A. Scholes, ed.)〕
==Biography==
Of Irish ancestry, Dan Emmett was born in Mount Vernon, Ohio, then a frontier region. Growing up with little formal education, he learned popular tunes from his musical mother, and taught himself to play the fiddle. At age 13, he became an apprentice printer and enlisted in the United States Army. He became an expert fifer and drummer at Jefferson Barracks, Missouri, and published his own Fifer’s and Drummer’s Guide in 1862 in cooperation with George G. Bruce. After receiving his discharge from the army on July 8, 1835, he joined a Cincinnati circus. In 1840–1842 he toured with Angevine and other circuses as a blackface banjoist and singer.〔() at www.oxfordmusiconline.com〕
In association with Billy Whitlock, Dick Pelham, and Frank Brower, he organized the Virginia Minstrels, which made their first appearance before a paying audience at the Chatham Theatre in New York City in 1843.〔Whitlock, who detailed the beginnings of the group, stated that the event was a benefit for Pelham. See Lawrence Hutton, "The Negro on the Stage," ''Harpers New Monthly Magazine'', June 1889, p. 140. Such an event occurred on 31 January. See ''The New York Herald'', 31 January 1843, p. 3. The following day the ''Herald'' reported that the troupe would be appearing at the Bowery Amphitheatre, and an advertisement in 6 February issue refers to their first performance that evening.〕
Although blackface performance, in which white men painted their faces and hands black and impersonated caricatures of African-American men and women, was already an established performance mode at that time—Thomas D. Rice had created the character of Jim Crow nearly a decade earlier, and blackface had been widely popular ever since—Emmett's group is said to be the first to "black up" an entire band rather than one or two performers. The group's full-length blackface performance is generally considered to have been the first true minstrel show: previous blackface acts were usually either an entr'acte for a play or one of many acts in a comic variety show.
Emmett is traditionally credited with writing the famous song "Dixie". The story that he related about its composition varied each time he told it, but the main points were that he composed the song in New York City while a member of Bryant's Minstrels. The song was first performed by Emmett and the Bryants at Mechanics' Hall in New York City on April 4, 1859. The song became a runaway hit, especially in the South, and the piece for which Emmett was most well known. Emmett himself reportedly told a fellow minstrel that "If I had known to what use they () were going to put my song, I will be damned if I'd have written it."〔Letter from Col. T. Allston Brown to T. C. De Leon. Published in De Leon, ''Belles, Beaux, and Brains'' and quoted in Nathan 275.〕 After the South began using his song as a rallying call, Emmett wrote the fife and drum manual for the Union Army. Emmett's song was a favorite of President Abraham Lincoln, who said after the war ended in 1865, "I have always thought that 'Dixie' was one of the best tunes I ever heard. I had heard our adversaries had attempted to appropriate it. I insisted yesterday that we had fairly captured it."〔Speech given on April 10, 1865 and quoted in Hall 10.〕
Another writer named William Shakespeare Hays (1837–1907) (pen name: Will S. Hays), claimed to be its true author. Members of the Snowden Family of Knox County, Ohio, have also been named as writers of the song.

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